Desktop with "ink-wash texture, like a painting yet not a painting": Selected imported walnut wood veneer, through a special veneer inlay technique, reproduces the "distant mountains and nearby waters" of ink wash landscapes. Light brown textures resemble distant mountains shrouded in mist, while dark brown lines look like ripples on nearby water. The grain of each desk is a unique "natural painting." The edge of the desktop features a "soft curved chamfer," like the gentle droop of rice paper, with no sharp corners. It not only aligns with the Eastern philosophy of "harmony and 圆润 (yuanrun, meaning smoothness in manner)" but also prevents collisions. The surface is treated with "hand-rubbed wood wax oil," preserving the natural touch of walnut wood—touching it feels as warm and smooth as touching rice paper.

Structure with "mortise and tenon ingenuity, hiding craftsmanship": The connection between the table legs and the desktop adopts an "improved mortise and tenon structure," with no screws. It is fixed by the precise interlocking of mortises and tenons, inheriting the craftsmanship of traditional Chinese furniture while enhancing stability. The table legs are "slender round straight legs" (6cm in diameter), similar to the "round wooden legs" of traditional Chinese furniture, paired with light brown matte paint. From the side, they look like the lean, forceful lines in a scholar’s calligraphy, exuding elegance. The bottom is equipped with "ebony wood round pads," creating a light-dark contrast with the walnut desktop. They prevent floor scratches and resemble the "bases" of traditional Chinese ornaments, adding refinement.

Accessories with "Zen-inspired negative space, less is more": Drawer handles are "slender ebony strips" (10cm long), embedded in the drawer panel without being obtrusive, and feel warm to the touch when pulled. The desktop cable hole is designed as a "circular negative space style," with only a light brown soft silicone ring attached—like a "seal" on an ink wash painting, simple yet eye-catching. The division of the storage area follows the "aesthetic of negative space," leaving 1/3 of the desktop blank. A small fern or an inkstone can be placed here, giving the space a sense of "breathability."

Storage that "hides clutter, showcases neatness, and preserves the artistic mood": On the left under the desk, there is a "push-to-open hidden drawer compartment," without handles, matching the style of the desktop. Inside, there are "layered dividers" for storing small items such as pens and stamps, keeping them organized by category. On the right, there is a "side-pull wooden lattice file cabinet." The lattice design replicates traditional Chinese window grilles, allowing ventilation to prevent moisture and enabling visibility of the files inside without repeatedly opening the cabinet. Pu’er tea cakes or thread-bound books can be placed in the cabinet—it serves as both a storage area and a display space, letting elegance permeate every detail.

Reception space with "negative space, suitable for tea and talks": The desktop is 80cm wide, with length options of 1.8m/2.0m. When receiving clients, a mini tea set and celadon cups can be placed in the blank area—boiling tea while discussing matters, conveying the Eastern way of hospitality. During multi-person discussions, placing 3 proposal booklets and 1 computer still leaves ample space without overcrowding. A "shallow groove" is reserved on the edge of the desktop for placing a tea tray, preventing tea spills and balancing practicality with elegance.

Details designed for "tranquility, away from hustle": Drawers use "solid wood silent slides," opening and closing gently without noise, avoiding disrupting the Zen atmosphere. The inner side of the table legs is equipped with "hidden cable channels." Wires can pass through the channels and be hidden behind the legs—no messy cables are visible from the front, keeping the desktop neat. The desktop can be customized with a "built-in tea tray" (available in black gold stone or bamboo material). For tea companies, there’s no need to place an additional tea tray—work and tea-tasting can be done simultaneously, immersing in an elegant atmosphere.

Sizes to "choose by need, showcase style": The 1.8m model is suitable for single-person elegant offices (holding a computer, hidden compartment, and fern—just the right space); the 2.0m model fits enterprise reception rooms (accommodating 3-4 people for discussions, with space for tea sets and proposal booklets); the 2.2m model is ideal for the office of a manager in a traditional cultural enterprise (balancing work and brand culture display). From individuals to enterprises, from home to office, there is a suitable size for every need.

Style that "complements Chinese aesthetics, fits any space": Paired with traditional Chinese round-back chairs and redwood bookshelves, it becomes a classic office area for traditional cultural enterprises; matched with rattan chairs and tea cabinets, it suits tea companies; placed in a modern minimalist home study, its Eastern charm softens the coldness of minimalism and adds cultural heritage. No need to renovate the space—it feels "as if it has always belonged here."

Flexible expansion for "unified elegance": The sides of two 1.8m models are equipped with "hidden connecting latches." When joined together, they form a 3.6m long table, suitable for small cultural salons or tea parties, accommodating 8-10 people sitting around. The ink-wash texture on the desktop connects into a complete "landscape scroll." Adding the "Image Series side table" of the same series—for placing a printer or using as a temporary tea table—expands the space while maintaining a unified style.